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O livro inclui um processo de estudo das escalas e processos de ação sociopolítica de proximidade na governação da cidade de Lisboa. Os seus autores, Luísa Schmidt, João Seixas e Alexandra Baixinho, abordam os contextos, as realidades e... more
O livro inclui um processo de estudo das escalas e processos de ação sociopolítica de proximidade na governação da cidade de Lisboa. Os seus autores, Luísa Schmidt, João Seixas e Alexandra Baixinho, abordam os contextos, as realidades e as dinâmicas à escala das suas freguesias, e as respetivas juntas de freguesia, descerrando as recentes transformações políticas e legislativas, e aprofundando estas questões do ponto de vista de um dos principais grupos de agentes locais – os presidentes das juntas de freguesia de Lisboa (antes das eleições de 2013). Oferece, portanto, segundo os autores, «uma base central para o melhor entendimento das exigências da governação de proximidade na cidade contemporânea, fornecendo ainda um guia de leitura e de informação aos fregueses sobre os seus direitos, convidando-os igualmente a intervir, mais e melhor».
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CapaAmbienteTerritorio.pdf
ics_jferrao_ahorta_ambiente_len.pdf
Experimental audio paper (Listen to the audio paper here: http://seismograf.org/fokus/fluid-sounds/mountain-meets-urban-waterfront) Abstract The audio paper is an experiment in combining two different soundscapes: a sonic composition... more
Experimental audio paper

(Listen to the audio paper here: http://seismograf.org/fokus/fluid-sounds/mountain-meets-urban-waterfront)

Abstract

The audio paper is an experiment in combining two different soundscapes: a sonic composition of field recordings from Hallingskarvet mountain and an urban waterfront atmosphere, with the site-specific real time sounds of Islands Brygge. Baixinho and Blom explore what happens when we mix sounds from a Norwegian mountain with sounds from a Danish urban, post-industrial waterfront environment and its contemporary recreational uses. How does the pre-existent aural environment integrate and dialogue with our “invading” sonic composition? How do sounds mix, overlap or distinguish themselves? The audio paper reflects on the content of both independent soundscapes and explores the outcomes of this mingling.

Keywords:
Audio Paper Waterfront Time-space Porosity Mountain Aural perception
Cette communication présente les résultats d’une étude de cas menée à Lisbonne, dans la perspective de l’anthropologie. A la fin du XVIIIe siècle, le port n’était qu’une vaste plage ponctuée de petits quais, mais au début du XXe siècle le... more
Cette communication présente les résultats d’une étude de cas menée à Lisbonne, dans la perspective de l’anthropologie. A la fin du XVIIIe siècle, le port n’était qu’une vaste plage ponctuée de petits quais, mais au début du XXe siècle le chemin de fer et les infrastructures et industries portuaires ont institué une rupture entre la ville et la rivière. Aujourd’hui, le port n’occupe plus autant d’espace sur le front d’eau de la capitale et le cède progressivement à la municipalité et aux citoyens. Un exemple de la « réappropriation » touristique des anciens espaces industriels portuaires est la croissance des croisières maritimes – une méga-industrie mondiale, qui change les paysages urbains et portuaires, en créant de nouveaux usages, des dynamiques, des conflits et des représentations.
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Adding to the proliferation of leisure and recreational activities - an overall trend in the post-industrial urban context -, port-cities now host new leisure driven actors and practices, specifically related with cruise ship tourism.... more
Adding to the proliferation of leisure and recreational activities - an overall trend in the post-industrial urban context -, port-cities now host new leisure driven actors and practices, specifically related with cruise ship tourism.

Given the exponential growth of cruise industry, and the magnitude of cruise ships themselves, the landscape of many European port-cities has been changing rapidly in the last decades. However, the transformative power of these aquamobilities in the visited places goes well beyond their almost daily visual impact, playing a part in the co-production of their urban space and everyday life. This happens, for instance, through the investment in new cruise terminal infrastructures, often linked to wider regeneration projects. Here, power issues are frequently related with unaccounted surroundings, and lack of community involvement in urban planning process, raising questions about the ‘right to the city’.

Surprisingly, or not, the huge power of cruise mega-corporations is also gradually stepping ashore, as they extend their holdings to other tourism segments, and even port facilities and services. This paper will discuss how cruise aquamobilities actually unfold at, and co-construct, the visited places. Drawing on empirical research in several port-cities, I will highlight the more fine-grained findings reached through my visual/sensory approach.
This format explores the use of sound as part of a sensory ethnographic approach to urban waterfronts and elusive aquamobilities. How can listening promote auditory knowledge? Are sounds capable of generating new ethnographic insights?... more
This format explores the use of sound as part of a sensory ethnographic approach to urban waterfronts and elusive aquamobilities. How can listening promote auditory knowledge? Are sounds capable of generating new ethnographic insights? What presences, practices and spatio-temporalities do they reveal? Through a set ofsonic samples from my field recordings, I will describe and interrogate the acoustic features of post-industrial port cities environments. Sound is brought in as a productive tool in sensory ethnography, one which sparks new affective and relational understandings of place.
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This presentation draws on the visual work developed in the context of my PhD research, on cruise aquamobilities as constitutive and transformative “forces” in contemporary post-industrialport cities. I will reflect on how my own... more
This presentation draws on the visual work developed in the context of my PhD research, on  cruise aquamobilities as constitutive and transformative “forces” in contemporary post-industrialport cities. I will reflect on how my own photographic practice has evolved, both in articulation with other methods (like walking) and in response to the challenges created by the field, but also on the  diverse roles that researcher-generated images have played across different research stages.Along a multi-sited, sensory, and experimental ethnographic approach through diverse port-cities -with an emphasis in Lisbon, but also encompassing Barcelona, Tilbury, Dover, Bergen/Oslo, and    Le Havre – different techniques have been used, including digital pin-hole photography and time-lapse sequences. The resulting visual materials have been useful not only as data/analyticdevices, but also as research outputs themselves. Here, with the aim of contributing to furtherdiscussion on photographs as research tools and alternative ways of knowing, I will bring empiricalexamples of evocative, animated, expressive and critical images, highlighting the potentials ofstepping beyond documentary photography in social sciences research.
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In the 1950s, an american psychiatrist called Frederic Wertham argued that comics were harmful due to the explicit use of violent images, thus joining a choir of educators and librarians which opposed it. Although some of these criticisms... more
In the 1950s, an american psychiatrist called Frederic Wertham argued that comics were harmful due to the explicit use of violent images, thus joining a choir of educators and librarians which opposed it. Although some of these criticisms about comics are still present today, they have been increasingly used to communicate about scientific issues in the last years. In the context of the project “ClimAdaPT. Local” funded by the EEA Grants, which concerns adaptation to climate change at municipal level in Portugal, a comic book was done to explain concepts and ideas concerning this issue. More specifically, particular stories of portuguese citizens directly affected by extreme weather events attributed to climate change are mixed with scientific explanations of possible solutions for adaptation at local level. The book will soon be printed in both portuguese and english and is directed at teenagers and adults. This presentation aims to provide an overview of the use of comics in visual science communication, as well as to explain the process of creation of this specific comic book from the initial idea to the final printing. Moreover, perceived advantages of the media such as the blending of words and images and the ability to control the pace of the story and disadvantages of such as a dependency of an artist and the difficulties of funding will also be mentioned.
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This is a very first presentation of ClimAdaPT.Local project, as well as some of its first results. The project is aligned with the main aims of the European Strategy for Adaptation to CC and of the Portuguese Strategy for Adaptation to... more
This is a very first presentation of ClimAdaPT.Local project, as well as some of its first results. The project is aligned with the main aims of the European Strategy for Adaptation to CC and of the Portuguese Strategy for Adaptation to CC (ENAAC). Searching for an effectively promotion of CC adaptation at local level, the following are the main objectives: 1. Embedding the climate change  adaptation  dimension  on  municipal  level  in  Portugal;  2.  Creating  a  community  of  municipal  actors,  aware  of  climate  change  issues  and  trained  for  the  use  of  decision  support  tools on adaptation; 3. Promotion and provision of local adaptation knowledge particularly in the definition of strategies, planning and implementation of measures and results communication; 4. The reduction of barriers and constraints on the local actors involvement on adaptation process; 5. Integrating adaptation into municipal and sectoral agents decision and planning processes. A transdisciplinary and highly recognized team is supporting 26 pilot-municipalities in elaborating their  own  Municipal  Adaptation  Strategies  and  facilitating  their  implementation.  This  team  is  simultaneously  raising  awareness  of  local  stakeholders  and  providing  training  to  municipal  technicians  regarding  Climate  Change  Adaptation  issues,  while  promoting  Adaptation  mainstreaming  into  local  planning  tools/policy.  It  will  also  develop  products  that  will  facilitate  municipal  strategies  elaboration  and  implementation  by  the  pilot-Municipalities  involved  in  this  project  and,  in  the  near  future,  the  goal  is  to  spread  this  approach  to  all  the  other  Portuguese  Municipalities.This presentation will be focused on the methodologies/process of engagement of stakeholders, and in a first diagnosis of reality, drawing on the results of the first questionnaire survey applied to 52 participants (municipality’s representatives) in the project.
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The audio paper is an experiment in combining two different soundscapes: a sonic composition of field recordings from Hallingskarvet mountain and an urban waterfront atmosphere, with the site-specific real time sounds of Islands Brygge.... more
The audio paper is an experiment in combining two different soundscapes: a sonic composition of field recordings from Hallingskarvet mountain and an urban waterfront atmosphere, with the site-specific real time sounds of Islands Brygge. Baixinho and Blom explore what happens when we mix sounds from a Norwegian mountain with sounds from a Danish urban, post-industrial waterfront environment and its contemporary recreational uses. How does the pre-existent aural environment integrate and dialogue with our “invading” sonic composition? How do sounds mix, overlap or distinguish themselves? The audio paper reflects on the content of both independent soundscapes and explores the outcomes of this mingling.
Download (.pdf)
Drawing on ethnographic fieldwork on cruise ship tourism in the port of Lisbon this paper addresses the use of corporate masks and chameleonic local practices and materialities. We will take a look to how misleading logos, foldable... more
Drawing on ethnographic fieldwork on cruise ship tourism in the port of Lisbon this paper addresses the use of corporate masks and chameleonic local practices and materialities. We will take a look to how misleading logos, foldable scenarios, uniforms, badges, and other identity markers can be, and reflect on the complexity of layers present in glocal brand displayed identities.
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Time-lapse video installation, 2:30 mins (16:9)
in The Future of Art is Urban: Artistic Research Practices and Methods in Social Sciences
30 May - 14 June 2014, Enclave Gallery, London
Research Interests: